by Renate
...I had become obsessed, I had to see him soon again.
My chance to do it was already booked that time. Already
in March, I had read in a magazine that there would be the
only concert in 1997 in Germany in Baden-Baden on July18.
I bought my tickets immediately and planned a little
journey to this southern spa town, which is famous for its
long tradition in helping ill people by its healing
sources. Only about six weeks later they started to
promote the rest of the tour in the mass media. A
Baden-Badener newsmagazine explained the visit to their
small town by Andrea this way: "On July 10th, 1996, there
was a performance of a still unknown Italian singer at the
Baden-Badener casino. This time we hardly sold the 1000
places, but people who saw the concert were enthusiastic.
So the singer was booked for the following year again.
This year no promotion was needed for the performance of
the tenor. The news about the concert ran like a
bush-fire. The name Bocelli was sufficient for the
decision: There I have to go! What had happened ?...." We
know very well what had happened. In the meantime, the
unknown Italian tenor had become famous by "Time to Say
Good-bye" in Germany.
Thus the small producer in Baden-Baden had the pleasure to
have made a contract with a man who he would have hardly
had the chance to get after the career explosion. So they
decided to do the concert on a huge meadow outside the
town, the "Klosterwiese," where they put 5000 comfortable
chairs and the possibility to sit on the side lawn for 30
DM (about $16). If the weather had joined the game, it
would have been an absolute highlight to sit there under
the stars in a valley, surrounded by green hills all
covered with trees. But the weather... after an all rainy
day we decided to leave our dressy clothes in the suitcase
and instead we unpacked jeans, sweaters, boots and
rainwear. A good decision, although we appeared to be the
only ones who went there dressed as it if were a
rock-concert. At least we were among the few who didn't
get wet down to their underwear. It didn't stop raining
all the concert long and it was a rather new experience to
hear the well-known songs mixed up with the permanent
dripping on the hood. They didn't even make an
intermission after the first part, because it would have
been impossible to leave the seat without having it
flooded immediately by rain.
But who cares for the rain, when he is lifted up to higher
places beyond the thick clouds by Andrea's voice. His
magic let me forget the water running down my nose and the
mud that the chair gradually sank into. I was enchanted
again by the "O soave funiciulla" he sang with Liliana
Marzano again. This time Marcello Rota conducted the local
Baden-Badener Philharmoniker and not the Belgian
Nuovecento Orchestra as usual on the tour.

Here, as opposed to Leverkusen, where he at least
thanked the public, Andrea didn't speak a word. A female
announcer introduced the several pieces, which were all
the same as in the other concerts, except one: Andrea sang
with a local baritone, who was by chance also the producer
of the concert, a male duet from LaBoheme, "O Mimi, tu più
non torni." I didn't hear Andrea sing this before
and after that again. He never sang with a male partner,
as far as I know. But here he and Marc Marshall did,
because of Andrea's special wish. The announcer said that
the idea was born when they had met for supper the evening
before the concert. The listeners were absolutely
enthusiastic and didn't stop applauding in spite of the
hindering plastic covers they had all bought to hide
beneath.
The concert ended with "Time to Say Goodbye" and the last
drops of rain. People were all wet, but happy and stayed a
long time on the drying "Klosterwiese," talking about the
concert, while having a good glass of Baden wine. So did
I, and began to dream of "my" next concert.

